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關務人員考試關務四等-關稅會計(選試英文)科別關務人員考試關務四等-資訊處理(選試英文)科別關務人員考試關務四等-機械工程(選試英文)科別關務人員考試關務四等-電機工程(選試英文)科別關務人員考試關務四等-化學工程(選試英文)科別關務人員考試關務四等-紡織工程(選試英文)科別關務特考四等考試-一般行政關務特考四等考試-化學工程關務特考四等考試-機械工程關務特考四等考試-紡織工程關務特考四等考試-資訊處理關務特考四等考試-關稅會計關務特考四等考試-電機工程
英文108 年第 44 題單選題
📖 閱讀測驗 · 共用前文
Katsushika Hokusai is a Japanese artist of the Edo period (1603-1868). Born in Edo, modern Tokyo, in 1760, he is best known for the woodblock print series Thirty-six Views of Mount Fuji. The series, made in the 1830s, depicted Mount Fuji from different locations and in different seasons. He created the series as a response to a domestic travel boom and as a part of a personal obsession with Mount Fuji. Under the Wave off Kanagawa is the most iconic work of the series. Portraying water is not easy, but Hokusai captured its decisive moments. What enabled him to work in this way was his experience of residing in the Sumida area, with all its rivers and canals, and observing the flow of the Sumida River day by day. Hokusai was born in the Sumida district and lived there for almost 90 years. But he was never in one place for long. He found cleaning distasteful and allowed dirt and grime to build up in his studio. When the place became unbearable, he simply moved out. All told, the artist changed residences 93 times throughout his life. Constantly seeking to produce better works, Hokusai once commented: "All that I have done before 70 is not worth taking into account. At 75, I will have truly learned the pattern of nature, of animals, of trees and birds. At 80, I shall progress further. At 90, I shall penetrate the mystery of life itself. At 100 I shall be a marvelous artist. When I am 110, each dot and line will possess a life of its own." Hokusai, however, never got to see whether his prediction held true. He died at the age of 88. Prior to his death, he was said to have remarked: "If the son of heaven gives me just another five years, I will become a true artisan." During Hokusai's life, the Japanese government enforced isolationist policies to prevent foreigners from entering and citizens from leaving. When Japan opened its boarders in the 1850s, Hokusai's works crossed the ocean and influenced many Western artists such as Edgar Degas, Vincent van Gough, and Claude Monet. Thirty-six Views of Mount Fuji are particularly famous overseas. The composer Debussy was influenced by Under the Wave off Kanagawa when he composed the symphonic works La Mer in 1905. The painter Henri Riviere was also inspired and created a series of lithographs called the Thirty-six Views of the Eiffle Tower. In 1999 Hokusai was the only Japanese person given a place in Life Magazine's "The 100 Most Important Events and People of the Past 100 Years."

What can be inferred from the passage?

AHokusai was afraid of getting old.
BHokusai never stopped seeking perfection.正確答案
CHokusai was proud of his own achievement.
DHokusai believed that water is the source of all life.
答案與詳解
B
正確答案
從北齋名言「70歲前的作品不值一提」可推論他終身追求完美、從未停止精進。

逐選項解析

AHokusai was afraid of getting old.✕ 易錯陷阱
短文中北齋對老年的描述是積極展望未來成就(「80我將更進步」、「110每個點線將有生命」),完全沒有「害怕變老」的跡象,此選項與短文內容相反。
BHokusai never stopped seeking perfection.✓ 正確
CHokusai was proud of his own achievement.✕ 易錯陷阱
短文第三段北齋主動貶低自己70歲前的成就(「不值一提」),且臨死前仍自認尚未達到真正工匠的境界,顯示他並不為自身成就感到自傲,此選項與短文相反。
DHokusai believed that water is the source of all life.✕ 錯誤

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